Early in her career, Agata quickly established herself as a versatile animator, contributing to various feature films and commercials. Her passion and dedication took her across the globe to Wētā Digital in New Zealand, where she worked on Disneyʼs The Jungle Book and Steven Spielbergʼs The BFG. At Wētā, Agata was deeply involved in performance animation, working on complex creatures like King Louie and the giants, as well as refining facial animation in FACS-based systems.

Throughout her career, she has worked with a range of top-tier studios, including Scanline VFX, Digital Domain, and Image Engine, touching everything from superhero blockbusters to creature-driven epics. Her adaptability and eye for detail enabled her to seamlessly shift between realistic VFX work and more cartoony, exaggerated animation styles.

Eventually, Agata joined Industrial Light & Magic, where she has been a key contributor for several years. At ILM, she has worked on a wide range of high-profile film and streaming projects, including The Mandalorian, Ant-Man and the Wasp: Quantumania, Ultraman: Rising, Space Jam: A New Legacy, and Venom: The Last Dance.

Most recently, she played a major role in Ryan Cooglerʼs Sinners, where she directed the animation for a key sequence involving a giant snake slithering through the bed of a truck. She handled the entire sequence, crafting the creatureʼs movement with weight, tension, and menace. Her animation brought a sense of danger and realism to the moment, elevating the suspense and making the snake a truly memorable presence in the scene.

Anton Borisov began his journey in computer graphics in 2007, initially working in motion graphics before exploring architectural visualization and advertising. His passion eventually led him to the world of visual effects, where he has spent the past 15 years creating visuals for film and television.

As a versatile CG Generalist, Anton has cultivated a particular enthusiasm for environments, blending creative artistry with technical expertise. His approach is grounded in a balanced 50/50 mix of artistic vision and technical precision, allowing him to consistently contribute to visually captivating and technically robust projects. Throughout his career, Anton has worked on various notable films such as, Dune, Tron: Legacy, Jurassic World Rebirth, Spider-Man 3, Black Panther: Wakanda Forever, Uncharted, First Man, Pacific Rim Uprising, Ant-Man and the Wasp, and Ant-Man and the Wasp: Quantumania. His extensive experience and collaborative spirit have made him a valued team member, always eager to explore new techniques and innovative approaches in visual storytelling.

Kaisha Williams is a VFX production manager with over eight years of industry experience, beginning her career in 2017 on A Wrinkle in Time. Since then, she has contributed to a range of acclaimed projects, including Deadpool & Wolverine and Sinners, recognized for her creative problem-solving, attention to detail, and collaborative mindset.

An Emmy Award-winning Visual Effects Supervisor, Nick Marshall has played an integral role in a host of critically acclaimed features and series, including Dune: Part Two and The Last of Us. Since joining ILM in 2024, Marshall has served as the Visual Effects Supervisor on Ryan Cooglerʼs blockbuster film Sinners and the Apple TV+ series, Smoke. On Sinners, he was responsible for bringing 1930s Mississippi to life with a horror twist, which included hero full-frame creature work, a CG train, and environment extensions.